tea-from-the-bodhi-tree

My boyfriend and I went to a very ancient and small village placed on the top of a mountain near Cataluña (Spain) for five days, the weather was rainy and foggy and the nights were really cozy and spiritually blessing; the silence, the yellow lampposts, the tiny stone houses, the owls, the smell of rain and the little bars open late at night with their lovely lights and hot coffees. ~ (La Pobla de Benifassà) ~ Spain 

theconcealedweapon

connor-my-franta:

littlebluboxx:

silentauroriamthereal:

nofreedomlove:

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"Image Credit: Carol Rossetti

When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 

Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 

"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."

Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 

"I see those situations I portray every day," she wrote. "I lived some of them myself."

Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.

One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.

It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.

"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."

From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.

Oooh. I reblogged a partial version of this recently but I didn’t know how many more there were! I LOVE these!

OK SO THERE ARE TONS MORE OF THESE OF THE ARTISTS FB PAGE. GUYS THESE ARE AWESOME.image

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LETS APPLAUD CAROL ROSSETTI EVERYONEimage

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LOOK

IT GOT BETTER

Best thing ever.

teacoffeebooks

thegirlofnovels:

It genuinely baffles me when people ask, ‘how do you have time to read?’ because let me put it this way; how do you have time to hang out with friends, watch tv, go to parties, study until the break of dawn and then spend time with the family?

The answer’s pretty obvious. You make time. 

Because if it’s something you enjoy doing or something you have to do, you’ll find a way to get around that there’s only 24-hours-in-a-day-thing.

Trust me.

theconcealedweapon

problackgirl:

we’ve taught girls to romanticise nearly everything a boy does. when i was younger i thought it was cute that boys chased the girl even after she said no. i loved it when after a girl moved away from a kiss, the guy would pull her back and force it on. i thought a guy saying ‘i won’t take a no for an answer’ was passionate and romantic. we’re literally always teaching girls to romanticise abusive traits.